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Reflections on Gay Fairfax
Kevin Kerdash, segment
producer, camera operator, audio technician,
lighting, editor, founding member, 1989-1990
"We
produced (shot and edited) the first two shows
in our home while we and the rest of the crew
got "trained" at Channel 10. We
were concerned how we would make people aware
of the show. The Blade did not yet
have the "On the Air" column. Gay
Fairfax and The Third Side were largely responsible
for creating the column. Also, somehow,
a right-wing Christian group heard about the
show and threatened to picket Channel 10. Channel 7 had a correspondent
live outside the Channel 10 studio all evening
the night of the first airing. We got coverage from
David Vanderbilt's news segment hours before
the show aired! Moral: to
become a hit, piss off the Christians."
Larry Kennedy, segment producer, camera operator, audio
technician, lighting, editor, founding member,
1989-1990
"My best memories are the
people (some of whom we still see occasionally)
and the efforts and contributions everyone made
for the show."
Karen Brown, Community
Forum producer, segment producer, director, editor,
field prodution, "Gays on
Film" reporter, media relations, founding member 1989 - 1992
"One time my parents (not OK with me being out) were channel
surfing and saw me and Judy Hittman in our movie review segment,
'Gays on Film.' Judy and I were doing
a flirtatious spoof of the famous Basic Instinct interrogation
scene. My parents immediately
called my brother and said disapprovingly, 'We're sitting her
watching your sister on TV.' Stephen defensively replied,
'What about it?' Mom and Dad replied, 'She's SMOKING! It's
like she's promoting SMOKING!'"
Bill Horten, pink
team producer, segment producer, editor, technical
director, floor manager, distribution sponsor,
float designer, public relations, original member
1990 - 1992, 1993
"I feel like we were all pioneers; going where
no queer had gone before. I was able to witness
history unfold before my eyes. For the chance to
meet movement leader Harry Hay in a living room
in Bethesda, to shake hands with Geraldine Ferraro,
Frank Kameny, and Congressmen Barney Frank and
Jim Moran, to visit real hero Tracy Thorne at his
home in Virginia Beach, to bring my favorite playground
in Delaware to the small screen, and to make many
enduring friendships because of Gay Fairfax,
I am forever grateful."
Gary
Evans, audio technician 1993
My favorite part was
setting up props and decorating the set."
Pauline Dross, camera operator 1991-92
"I loved running the cameras. I got a kick out of watching
the soap and doing the news. It
was fun helping my partner at the time Marti
interview the first gay bar in Olde Towne Alexandria,
808 King Street."
Steve Vickery, camera operator, 1993
"I remember falling on my
a-- while covering Gay Rollerskating Night;
eluding Mr. Futch."
Rob Switala, field camera operator, and segment editor 1992 -1993
"The whole Gay Fairfax and Gay Spectrum experiences
were fun. I think one of the neatest times
was videoing and meeting Tipper Gore when she
helped start off an AIDS march."
Gwen Jennier, audio technician,
camera operator, lighting designer, and field production,
original member, 1990 - 1993
"My favorite memory was filming
K.D. Lang and Melissa Etheridge at the Gay
Inaugural Ball. Melissa came out that
night and I got it all on film!"
Peg McCraw, "Gay Trivia" reporter,
audio technician, camera operator, lighting, field
production, original member, 1990 - 1993
I'll never forget my interview
with first time author Barbara Johnson. Barbara
has since become well know to lesbian mystery
fans and she and her partner Kathleen remain
good friends to me and Gwen."
Mike Hilker, camera operator, audio technician 1993
"I was part of the remote
camera team that filmed the 1993 March on Washington.
I remember filming the interviews with Phil Donahue
and Jesse Jackson and thinking, WOW! I'm actually
making a difference. I still have my press
pass."
Anna Kramer, camera operator and set
decorator, 1990 - 1993
"I remember meeting and
working with some fantastic people, gaining hands-on
knowledge on how a show is put together, fulfilling
a desire to work in the industry, and basically
having a good time."
Kevin Harney, show editor, segment editor, graphic
designer, technical director, floor manager, camera
operator, teleprompter, set decorator 1990
-1993
"My favorite memory was the
show we did at 808 King Street."
Judy
Hittman, "Gays on Film" reporter
"I was so intent on reading
the teleprompter that when it stopped in the
middle of my name, I stopped speaking, as if
I didn't know my name without being prompted. You know how these
blonde TV types are! Once
I got the hang of the teleprompter it was an
absolute blast!""
Dennis Brooks, scriptwriter,
segment producer, editor, camera operator, lighting,
floor director, 1992; and Jack
Ellison, camera operator,
lighting, floor director, editor, 1992
"We both remember the very
first day we showed up to work on a wrap. It
all seemed so magical - so much stuff to learn!"
Ruthann Winterhalter, lavender
team producer, technical director, camera operator,
lighting, audio technician 1992
- 1993
"I remember working with
a lot of great people on the shows and at Gay
Pride."
Dorothy Hirsch, co-host, reporter
1991 - 1992
"My favorite memory was working
with Michelle Michaels and her lack of enormous
respect for me, as is only right. I'll
never forget interviewing a 6'7" drag queen
(in heels add two more inches) at Gay Pride
day and interviewing an articulate pierced
everywhere but his earlobes leatherman who
though ear lobe piercing was disgusting. I remember interviewing
a plastic surgeon who specialized in calf,
chest, and pec implants for gay men (he was
a very busy man, can you explain this to me,
Mr. Gay Man?) not to mention penile enlargement
(though it didn't sound as if he could do anything
about length, just circumference! "
Diana
Mangers, camera operator, audio technician,
field production, editor, original member 1990
- 1991
"While doing an interview
at Gay Pride, my oil tan lotion exploded in
my backpack and ruined all my pictures that
I took that day. However,
I got to shake hands with Mayor (crackhead)
. . . but I've forgotten his name."
Rick Sincere, co-host,
field reporter, "Gay
Book Beat"
reporter 1991
- 1992
"Nothing could be better
than the Gay Rehobeth episodes. Michelle
Michaels and I went out into the wilds of Rehobeth
Beach, interviewing local personalities and
generally having a good time. This is the only episode
of Gay Fairfax I still have on tape, and the
only one I show to friends from time to time."
David Jobe, guest co-host,
1992
"Although my contribution
to the show was limited to just one taping,
I'm grateful and proud to have been a small
part of this historic endeavor."
Buddy Paulette, camera
operator, technical director, 1993
"I remember the truck mounted
camera at the DC Pride Festival when it was
about 130 degrees in the shade. I also never forget Jean
Ponton's level headed approaches to resolving
a difficult problem when equipment failure
occurred (which was often). I
loved hanging out after a shoot at an area
watering hole."
Dave Hughes, co-host, segment producer, editor 1990
- 1993
"The biggest honor and thrill
for me was getting to interview Romanovski
and Phillips. It was my first interview,
and they were so kind and accommodating despite
their hectic travel schedule. They invited Barry and
I up to their hotel room to do the interview
there! Being
the music lover that I am, I also enjoyed videotaping
and/or interviewing the Flirtations, Gotham,
and Suede.
My warmest memory occurred
one evening at home shortly after a Gay Fairfax
episode had aired. The phone rang, and a
timid young voice called just to thank me (and
us) for what we were doing. Things like this
really made all the hours worthwhile.
My
proudest moment was riding on the Gay Fairfax
float in the Pride parade. We constructed a
news desk with the GFX backdrop and Rick, Michelle,
Beth, and I all sat behind the desk as co-hosts
and Bill sat out in front of us as a camera
operator.
One of my most memorable
field shoots was one I did with Rob Wilson
at a Gays Against Abortion meeting. Halfway
through, a contingent from the National Organization
for Women showed up and crashed the meeting, and
a lively, heated discussion followed.
Most
of all, I cherish the people I met while doing
the show, including all of my co-host partners,
Rob Wilson, Kevin Harney, and especially Bill
Horten and Mike Bagwell - good friends with
whom I remain in touch to this day."
Do you have memories and reflections on Gay
Fairfax? Please
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